The rounded Serif with edges.
Olivia Serif got curves on the outlines and edges on the inlines. So it can be very legible and space efficient at the same time: the curves keep the distinctions between the letters, the corners keep the influences from broadnibbed pens with a subtle horizontal stress for great legibility.
Olivia has personality without being obtrusive.
Three weights (light, regular, bold) are equipped with real italics, SmallCaps, different sets of figures, accents for almost every latin script, arrows, symbols. A fourth weight (black) comes without italics or SmallCaps, but all the other features. Olivia: with or without.
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Download Olivia Serif Fonts Family From Stabenfonts
Download Olivia Sans Fonts Family From Stabenfonts
The rounded Sans with edges.
Olivia Sans got curves on the outlines and edges on the inlines. So it can be very legible and space efficient at the same time: the curves keep the distinctions between the letters, the corners keep the influences from broadnibbed pens with a subtle horizontal stress for great legibility.
Olivia has personality without being obtrusive.
Three weights (light, regular, bold) are equipped with real italics, SmallCaps, different sets of figures, accents for almost every latin script, arrows, symbols. A fourth weight (black) comes without italics or SmallCaps, but all the other features. Olivia: with or without.
Download Skolar PE Fonts Family From Rosetta
Primarily intended as a robust, energetic text typeface, Skolar was designed to address the needs of serious typography. The typeface, having seen extensive use across diverse platforms and purposes, continues to maintain its credibility in a variety of contexts while incorporating a subtle personal style. Architecturally, Skolar’s letterforms follow conventional proportions for comfortable reading, while its stylistic details introduce warmth and character.
At the same time, features such as its relatively large x-height, robust serifs, and low contrast make Skolar a reliable choice even at small sizes and for the most complex editorial and academic text settings. Skolar’s vast character set caters for 90+ Latin-script languages, polytonic Greek, 44+ Cyrillic languages, various Latin transliterations (Pinyin, Sanskrit), Devanagari (Sanskrit, Hindi, Marathi, Nepali, …), and Gujarati.
Download Zuume Fonts Family From Adam Ladd
Zuume is a high-impact, condensed, display font family consisting of a normal and alternate Zuume Cut family in multiple weights and italics. Its range in thickness gives a sharp, technical feel in the lighter weights, while the bold, blacker weights are meant to be tightly spaced and stacked for a visual punch.
A distinct characteristic of this all caps typeface is the notched and extended ink traps meant for both function and aesthetic interest. The strong and sturdy design makes it ideal for eye-catching headlines, branding, packaging, magazines, sports, logos, and more.
The included alternate Cut family takes the dynamic nature of this design further by adding sliced out elements to flat, horizontal strokes, giving it more movement, aggression, and a sense of speed. Also part of each weight font file are matching pre-designed catchwords that add texture to your typography. Stylistic alternates and arrow glyphs increase the options available.
Zuume has many features:
• Alternate Cut family
• Catchword glyphs (PUA-encoded)
• Stylistic alternates
• Arrows
• Fractions, numerators, denominators
• Superscript, subscript
• Slashed zero
With about 600 glyphs, this font has extensive multilingual Latin language support (100+ languages) for Western, Central, and South Eastern European.
Download Kaunos Fonts Family From Hurufatfont Type Foundry
Kaunos creates eclectic and moderns structure by combining sansserif, slabserif and calligraphic elements in a single body.
Kaunos designed by Mustafa Eren who is well accepted first typeface designer and calligraphy master by Turkey's Leraset catalog.
Kaunos may be use for posters, headlines, modern and, experimental designs. It consist of 16 style of 8 weights and, italic versions of that weights.
Kaunos includings;
- 390+ Glyph
- OpenType Features
- Stylistic Alternates
- Standart Ligatures
- Discretionary Ligatures
- Contextual Alternates
Download Quat Fonts Family From Ani Dimitrova
Quat is a sans serif type family designed by Ani Dimitrova. The family comes in 22 weights, ranging from Hairline to Black with extra drawn italics and small caps versions, and each style contains more than 700 glyphs. The Regular and Medium weights are perfect for body text while the extra drawn Italic gives an interesting texture to the text. The lightest weights work well in subtle headlines while the heaviest ones are perfect for posters, short texts, web, branding and screen design. All weights contain ligatures, proportional figures, tabular figures, old style figure, numerals and arrows, matching currency symbols and fraction.
The range of styles give a good flexibility to this family.
Download BF Corpa Gothic Pro Fonts Family From Brass Fonts
BF Corpa Gothic™ Pro is a kind of “Neue”-Edition of the beloved typeface designed by Guido Schneider.
Inspired by hand-drawn geometric fonts from 1920s posters, this sans serif typeface is slightly condensed, and it appears compact and captivates with its expressive shapes and unique details, despite its pronounced Grotesque character.
With its rather constructed, technical – but also vivid – appearance, the BF Corpa Gothic™ Pro is not only suitable for headlines and display applications, but is also pleasant to read in short and middle length text.
The type family is engineered for exciting, professional but unusual designs.
It is equipped with OpenType Features like 4 figure sets (LF, TF, OSF, SC), nice ligatures, many currency symbols, fractions, alternates, special characters, arrows and symbols – and small caps.
9 style sets give you the option to individualize and adjust the typeface to the requirement of your design, without changing the general visual feeling. In this way you can also switch the simply slanted styled Italic into a “real Italic”.
Each of the 16 fonts (Upright and Italic) contains more than 940 glyphs and supports up to 220 Latin-based languages.
Download Amica Pro Fonts Family From Schizotype
Welcome Amica Pro, a workhorse sans designed to give your branding a friendly, approachable look. What is it that makes a typeface friendly? Schizotype undertook extensive research* in this and the results are in! To cut a long story short, friendliness in sans serif fonts can be summed up in two words – short and fat. Basically, think Danny DeVito in letter form. The shortness in Amica Pro is achieved (somewhat counterintuitively) by pushing up the x-height. This, coupled with short ascenders and descenders, gives the text a squat appearance. For the fatness, that's easy in the bolder weights, but how to carry this through to the lights? Here, the fatness equates to roundness, so the letterforms, even if the stroke weight is light, have a rotund appearance from the wideness and roundness of the circular glyphs.
When thinking about friendliness, we think about inclusiveness. To this end, Amica Pro supports a super wide range of latin-based languages, as it uses Underware's Latin Plus character set, as well as extra support for Vietnamese.
Amica Pro is best used for branding, logos, infographics etc. It will give your UI a friendlier feel, but that doesn't mean it's not serious. There are many useful typographic features, including alternates, numerous figure styles, automatic fractions and case-sensitive forms. The italics are carefully optically corrected "sloped romans" and as such they are the same width as their upright equivalent, so changing your copy to italics will not mess around with the spacing.
*I looked at a few fonts and drew some lazy conclusions.
Download Bw Seido Raw Font Family From Branding with Type
Bw Seido Raw strikes a balance between crude engineered geometry and the demands of legibility and pragmatism a workhorse typeface needs. The result is a highly functional type family with an industrial feel, ready to be used anywhere from screen-based to print.
The stylistic set accesible through the OpenType panel presents a more neutral feel by removing the sharp bends on some key characters.
It consists of 12 styles (6 uprights + 6 matching obliques) supporting all European Latin languages. It contains many OpenType features like slashed zero, fractions, case sensitive forms, localised forms or ligatures.
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