Showing posts with label bauhaus. Show all posts
Showing posts with label bauhaus. Show all posts

Grafical fonts from Letter Omega Typefoundry - (qkgka)

Grafical
Grafical GraficalGrafical



Grafical Family set:

Total 20 styles


8 upright, 8 italics (ExtraLight - Black)

+ Regular Outline, Bold Outline upright Italic


Variable:

Variable Roman + Variable Italic


Grafical is a modern Geometric Grotesk sans serif, Developed with geometric forms that have been optically corrected for better legibility. The completely family comes with Extra Light to Black and its matching italic, Designed from elementary shapes and brings simplicity modernist and neutral typeface.


Grafical alternate stylistic set bring futurist display look, With over 752 Glyphs Grafical is support cross OpenType features such as: Stylistic alternate SS.01, SS.02, SS.03, SS.04, SS.05 ligatures, dlig, fractions, case-Tabular Numbers, Oldstyle Numbers, Sub/Superscript Math, sensitive forms, superscripts, subscripts etc.


Grafical PERFECT tool for a range of uses for web, print, motion graphics etc.


Languages Support: Afrikaans, Albanian, Arapaho, Alsatian, Aragonese, Aromanian, Arrernte, Asturian, Asu, Aymara, Basque, Belarusian (lacinka), Bislama, Bemba-lang., Bena, Bokmål, Bosnian, Breton, Catalan, Cebuano, Chamorro, Cheyenne, Cimbrian, Corsican, Chichewa (nyanja), Croatian, Czech, Danish, Demo, Dutch, English, Esperanto, Estonian, Faroese, Finnish, French, French (creole), Frisian, Fijian, Friulian, Galician, German, Genoese, Gilbertese, Greenlandic, Gusii-lang., Hungarian, Haitian (creole), Hawaiian, Hiligaynon, Hmong, Hopi, Icelandic, Italian, Ibanag, Iloko (ilokano), Indonesian, Interglossa (glosa), Interlingua, Irish (gaelic), Istro-romanian, Jerriais, Kashubian, Kurdish (kurmanji), Latinbasic, Latvian, Lithuanian, Ladin, Lojban, Lombard, Low (saxon), Luxembourgeois, Malagasy, Makonde, Maltese, Malay (latinized), Manx, Māori, Megleno (romanian), Mohawk, Morisyen, Norwegian, Nahuatl, Norfolk (pitcairnese), Northern (sotho), North-Ndebele-lang., Occitan, Oromo, Pare, Polish, Portuguese, Pangasinan, Papiamento, Piedmontese, Potawatomi, Quechua, Romanian, Rhaeto-romance, Romansh, Rombo, Rotokas, Rukiga, Rundi, Rwa, Rwandan, Sami (lule), Samoan, Serbian, Slovak, Slovenian, Spanish, Sardinian, Scots (gaelic), Sena, Seychelles (creole), Shona, Sicilian, Somali, Soga, Southern (ndebele), Southern (sotho), Swahili, Swati (swazi), Turkish, Tagalog (filipino), Taita, Tahitian, Tausug, Teso, Tetum, Tok (pisin), Tongan, Tswana, Turkmen (latinized), Tuvaluan, Ubasic, Uyghur (latinized), Volapuk, Veps, Votic (latinized), Vunjo, Walliser German, Walloon, Warlpiri, Xhosa, Yapese, Zulu


2021 Copyright © Letter Omega Typefaces All rights reserved.





Download Hauslan Fonts Family From Álvaro Thomáz Fonts

Download Hauslan Fonts Family From Álvaro Thomáz Fonts
Download Hauslan Fonts Family From Álvaro Thomáz Fonts Download Hauslan Fonts Family From Álvaro Thomáz FontsDownload Hauslan Fonts Family From Álvaro Thomáz Fonts



Hauslan is a simple, minimal and geometric type family inspired by the rationality presented by Bauhaus in 1920 which affected many areas such as architecture and graphic design.

Following the concept of basic geometric shapes, Hauslan focuses on readability and versatility, either for small texts or headlines.



Download Hauslan Fonts Family From Álvaro Thomáz FontsDownload NowView Gallery


Download Novera Fonts Family From Rene Bieder

Download Novera Fonts Family From Rene Bieder

Download Now
Server 1
Download Now
Server 2
Download Now
Server 3


The Novera family is a sharp geometric sans in ten weights plus matching italics, available in two versions – Modern and Classic. It has a contemporary, approachable and multifunctional yet characteristic design, that comes with an extensive glyphs set of 1000+ glyphs per font, meeting all typographic demands. 



The Design

Vertical terminals, circular shapes and angular apexes – Novera truely breathes geometry! But the concept goes beyond the application of rational geometry. The intension was to create a highly legible family suitable for every day usage inspired by the work of Paul Renner, Eric Gill or Jakob Erbar, combining the geometric with the human and the functional with the unconventional. Although Novera is inspired by the past, its appearance is unmistakingly modern.


Modern vs Classic

Novera is available in two versions - Modern and Classic - born from the same source file but with different characters set as default. This creates subtle but effective distinctions such as the double-storey a (Novera Modern) which is optimized for legibility in longer text paragraphs, as opposed to the single-storey a (Novera Classic) which allows a purely geometric appearance. 

Another distinguishing feature are the ascenders on Novera Mondern, which extend above the cap height for an elegant presence, compared to the ascenders on Novera Classic, ending at the cap height, for a compact and helvetica-flavored look. 

Novera Modern was intended for usage in body copy, whereas Novera Classic was planned for headlines, short paragraphs or logos, but both versions can be used vice versa too, of course.


Alternate Characters

To maintain neutrality and a modern appearance, the standard character set largely dispenses with idiosyncratic forms. This is in contrast to the alternative forms with the gill-like lowercase letters g and t as well as a traditional shape of S and the German ligature t/z, which traces back to old German spellings. Also inspired by German poster designs from the early 20th century are the elongated i-dots and dieresis-dots that can create eye-catchers in headlines or logos. By the way, both versions, Novera Modern and Classic, can be created via stylistic set 1, 17 and 18.


Opentype Features and Symbols

The family comes with many opentype features to support modern typesetting. This includes ligatures, different number sets or alternative shapes for texts set in all caps.

If you like arrows and other shapes, you will love Novera! The family has a built-in extensive symbols-set including 48 different arrows and various geometric shapes or icons.


Weights

With its 40 styles and 1000+ glyphs per font, the Novera family covers all thinkable design scenarios from branding to web, app or editorial usage. It blends in perfectly in text heavy paragraphs with its mid-weights like Light, Regular, Medium or Bold or stands out like a monument in headlines and posters with its extreme weights like Thin, ExtraLight, Black or Ultra. 


Testfonts

If you like to test the fonts before buying the full version, please follow the link below. Please note, all test fonts are available for evaluation purposes only and contain a limited character set! A commercial license for the full version must be purchased separately. Please send a mail to contact@renebieder.com for more information.


Download the test fonts here: https://www.renebieder.com/test-fonts



Download Novera Fonts Family From Rene Bieder
Download Novera Fonts Family From Rene Bieder



Download Novera Fonts Family From Rene Bieder


Download Mid Century Sans Fonts Family From Dharma Type

Download Mid Century Sans Fonts Family From Dharma Type
Download Mid Century Sans Fonts Family From Dharma Type Download Mid Century Sans Fonts Family From Dharma TypeDownload Mid Century Sans Fonts Family From Dharma Type



Mid Century Sans (MCS) is composed of high-geometric shapes. László Moholy-Nagy —professor in the Bauhaus— said “Typography is a tool of communication. It has to be communication in its most intense form. The emphasis must be on absolute clarity since this distinguishes the character of our own writing from that of ancient pictographic forms.” As same as you can see in modern typefaces in the early twentieth century, MCS has very efficient, clear and minima letterforms. There are not any decorative parts in the skeleton of letters. At the same time, Mid Century Sans has one more feature. In the middle of the twentieth century, one big movement which was called Mid-century modern had occurred. The Mid-century modern movement in the U.S. was an American reflection of the International and Bauhaus movements and it was slightly more organic in form and less formal than the International Bauhaus-style. In other words, it was friendly and stylish. We added Mid-century-spices to the Bauhaus-modernism. The basic letter form is geometric yet it has very friendly strokes and human touch. Mid Century Sans consists of 8 weights and their matching Italics for a wide range of usages. Farther, Mid Century Sans is supporting international Latin languages and basic Cyrillic languages including Basic Latin, Western Europe, Central and South-Eastern Europe. Also MCS covers Mac Roman, Windows1252, Adobe1 to 3. This wide range of international characters expands the capability of your works. Lowercase "a" has OpenType stylistic alternates for advanced typography.


Download Mid Century Sans Fonts Family From Dharma TypeDownload NowView Gallery


Download BF Corpa Gothic Pro Fonts Family From Brass Fonts

Download BF Corpa Gothic Pro Fonts Family From Brass Fonts
Download BF Corpa Gothic Pro Fonts Family From Brass Fonts Download BF Corpa Gothic Pro Fonts Family From Brass FontsDownload BF Corpa Gothic Pro Fonts Family From Brass Fonts



BF Corpa Gothic™ Pro is a kind of “Neue”-Edition of the beloved typeface designed by Guido Schneider. Inspired by hand-drawn geometric fonts from 1920s posters, this sans serif typeface is slightly condensed, and it appears compact and captivates with its expressive shapes and unique details, despite its pronounced Grotesque character. With its rather constructed, technical – but also vivid – appearance, the BF Corpa Gothic™ Pro is not only suitable for headlines and display applications, but is also pleasant to read in short and middle length text. The type family is engineered for exciting, professional but unusual designs. It is equipped with OpenType Features like 4 figure sets (LF, TF, OSF, SC), nice ligatures, many currency symbols, fractions, alternates, special characters, arrows and symbols – and small caps. 9 style sets give you the option to individualize and adjust the typeface to the requirement of your design, without changing the general visual feeling. In this way you can also switch the simply slanted styled Italic into a “real Italic”. Each of the 16 fonts (Upright and Italic) contains more than 940 glyphs and supports up to 220 Latin-based languages.


Download BF Corpa Gothic Pro Fonts Family From Brass FontsDownload NowView Gallery


Download K-haus 205 Fonts Family From Talbot Type

Download K-haus 205 Fonts Family From Talbot Type
Download K-haus 205 Fonts Family From Talbot Type Download K-haus 205 Fonts Family From Talbot TypeDownload K-haus 205 Fonts Family From Talbot Type



K-haus 205 is inspired by the work of graphic designer and typographer, Herbert Bayer, during his time at the Bauhaus around 100 years ago — work that kick-started graphic design as we know it, to this day. It owes something to the simple geometry of Bayer’s hand-drawn, ‘universal typeface’, updated and expanded to deliver a clean, balanced, geometric sans for today. Also available as K-haus 105, featuring a few different characters here and there, chiefly in the lower case set. Both variations include an extended character set, featuring accented characters for Central European languages.


Download K-haus 205 Fonts Family From Talbot TypeDownload NowView Gallery


Download K-haus 105 Fonts Family From Talbot Type

Download K-haus 105 Fonts Family From Talbot Type
Download K-haus 105 Fonts Family From Talbot Type Download K-haus 105 Fonts Family From Talbot TypeDownload K-haus 105 Fonts Family From Talbot Type



K-haus 105 is inspired by the work of graphic designer and typographer, Herbert Bayer, during his time at the Bauhaus around 100 years ago — work that kick-started graphic design as we know it, to this day. It owes something to the simple geometry of Bayer’s hand-drawn, ‘universal typeface’, updated and expanded to deliver a clean, balanced, geometric sans for today. Also available as K-haus 205, featuring a few, more 'daring' characters here and there, chiefly in the lower case set. Both variations include an extended character set, featuring accented characters for Central European languages.


Download K-haus 105 Fonts Family From Talbot TypeDownload NowView Gallery


Download Pivnaya-Latin Font Family From Roman Type

Download Pivnaya-Latin Font Family From Roman Type
Download Pivnaya-Latin Font Family From Roman Type Download Pivnaya-Latin Font Family From Roman TypeDownload Pivnaya-Latin Font Family From Roman Type



‘Пивная’ (Pivnaya) means ‘bar’ or ‘brewhouse’ in Russian. Pivnaya Latin is a display font published by Roman Type. Initially designed for a poster, the family quickly turned multi-script. In 2019, the global design community is busy celebrating the centennial of Bauhaus, silently triggering the question as to if or how the phenomenon matters in the lives we lead today, or whether it could rather be reduced to mere historic purposes. At that point, I found myself falling into the Bauhaus trap myself, preparing a typeface design workshop for a group of Lithuanian and Russian students. But by a typing error, I accidently made Google translate ‘Brauhaus’ (brewhouse) instead of ‘Bauhaus’. That is why I called this family ‘Pivnaya’ in the end. Pivnaya Latin works for: Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Maltese, Norwegian, Polish, Portugese, Romanian, Slovak, Slovenian, Spanisch, Swedish, Turkish, Vietnamese, Zulu. Though being a decorative font, the International Phonetic Alphabet (IPA) increases usability for all kinds of purposes.


Download Pivnaya-Latin Font Family From Roman TypeDownload NowView Gallery


Download Pivnaya-Cyrillic Greek Font Family From Roman Type

Download Pivnaya-Cyrillic Greek Font Family From Roman Type
Download Pivnaya-Cyrillic Greek Font Family From Roman Type Download Pivnaya-Cyrillic Greek Font Family From Roman TypeDownload Pivnaya-Cyrillic Greek Font Family From Roman Type



This is the Latin+Cyrillic+Greek version of poster/display font Pivnaya designed and published by Roman Type. It works for Afrikaans, Albanian, Azerbaijani, Belarusian, Bosnian, Bulgarian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Greek, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Macedonian, Maltese, Norwegian, Ossetic, Polish, Portugese, Romanian, Russian, Serbian, Slovak, Slovenian, Spanisch, Swedish, Turkish, Ukrainian, Uzbek, Vietnamese, Zulu. The International Phonetic Alphabet (IPA) makes it fit for a wider range of purposes.


Download Pivnaya-Cyrillic Greek Font Family From Roman TypeDownload NowView Gallery


Download Pivnaya-Hebrew Font Family From Roman Type

Download Pivnaya-Hebrew Font Family From Roman Type
Download Pivnaya-Hebrew Font Family From Roman Type Download Pivnaya-Hebrew Font Family From Roman TypeDownload Pivnaya-Hebrew Font Family From Roman Type



This is the Latin+Hebrew version of poster/display font Pivnaya designed and published by Roman Type. It works for Afrikaans, Arabic, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Farsi, Finnish, French, German, Hebrew, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Maltese, Norwegian, Polish, Portugese, Romanian, Slovak, Slovenian, Spanisch, Swedish, Turkish, Urdu, Vietnamese, Zulu. Equipped with wider coverage of the International Phonetic Alphabet (IPA), Pivnaya-Hebrew is fit for all kinds of purposes.


Download Pivnaya-Hebrew Font Family From Roman TypeDownload NowView Gallery


Download Styro Font Family From Indian Type Foundry

Download Styro Font Family From Indian Type Foundry
Download Styro Font Family From Indian Type Foundry Download Styro Font Family From Indian Type FoundryDownload Styro Font Family From Indian Type Foundry



Styro is a family of modernist-style stencil fonts. There are eight weights available, ranging in color from Thin through Black. All of the typeface’s weights are virtually monospaced, and with each weight of the family, the outside ‘strokes’ building up the letterforms increase in thickness. Styro’s characters are very condensed, and their design employs a reductionist formal vocabulary. For example, the counter-forms are expressed by thin lines that run inside of the letters, from their tops to their bottoms. These ‘counters’ are optically of the same width as the spaces between each letter. Many of the fonts’ stroke terminals – like those on the top of the ‘a’ or on the bottom of the ‘g’ – are reduced to simple geometric shapes. Diacritic marks take the form of light thin lines, which create a nice degree of contrast with their base letters. This thin-line treatment is also applied to many of the fonts’ punctuation marks. Styro is reminiscent of a series of stencil letters designed at the Bauhaus by Josef Albers, although Styro includes separate shapes for both uppercase and lowercase letters, instead of being a unicameral design. The Styro fonts were developed by Aarya Purohit at Indian Type Foundry, and they are an excellent choice for use in editorial design pieces about modern art and design.


Download Styro Font Family From Indian Type FoundryDownload NowView Gallery