BRIGNELL SUNDAY is an eight font family designed by Ian Brignell.
A relaxed, easy-reading companion for any day of the week.
A clean, modern, friendly sans serif characterized by an open style with occasionally rounded corners, occasional curved junctures on diagonals and a slightly sloped lower case A. Brignell Sunday was born in 2006 and was inspired by corporate custom font ideas Ian designed for an LG Electronics sub-brand called Best Shop. Extended Latin set.
BRIGNELL BIG is a two font family designed by Ian Brignell.
Bold and honest, it approaches like a dare: Go Big no regrets.
A bold, personable sans serif headline font characterized by a stylized and geometric structure. Creatively, Brignell Big was born in 2011 and was inspired by lettering designs Ian was working on for CO Bigelow packaging that harkened back to early 20th century modern sans serifs. Recommended for headline use especially on packaging. Extended Latin set.
Acronits is a handwritten script font, high contrast stroke and fun characters. It has Opentype features of ligatures, makes it a perfect choice for branding and digital designs. Use this font for logos, social media, websites, blogs, instagram, social media, business cards, branding, and more! Acronits font support multilingual more than 100+ language. and good pair for your secondary text font with sans or serif. Make a stunning work with Acronits handwritten script font.
Cheers,
MaulanaCreative
The hand lettered credits from the 1942 British film comedy “The Goose Steps Out” became the model for Goose Creek JNL, a simple sans serif design available in both regular and oblique versions.
According to the Internet Movie Database (imdb), “A bumbling teacher turns out to be the double of a German general. He is flown into Germany to impersonate the general and cause chaos and hilarity in a Hitler Youth college.”
The title is a parody of the “goosestep” style of marching by German soldiers during World War II.
As a variant on the movie’s title, the font was named for Goose Creek, South Carolina – a charming community just northeast of historic Charleston.
The hand lettered title card from the 1935 melodrama “Magnificent Obsession” inspired the digital revival Movie Classic JNL; available in both regular and oblique versions.
Angele is an elegant serif font with stylish curves. This beautiful serif is timeless and can not be missed in your font collection. This font collection will give your design projects that instant touch of class.
Once you download this collection you will be able to start designing straight away. Have fun creating!
Venice Bridge is an elegant and distinct serif font. It has a classy, elegant and modern look that can be used for logos, branding, invitations, stationery, wedding designs, social media posts, and much more!
What’s Included :
Thank you for your purchase!
That’s it !! Have fun using our font
The hand lettered title card from the 1935 melodrama “Magnificent Obsession” inspired the digital revival Movie Classic JNL; available in both regular and oblique versions.
Angele is an elegant serif font with stylish curves. This beautiful serif is timeless and can not be missed in your font collection. This font collection will give your design projects that instant touch of class.
Once you download this collection you will be able to start designing straight away. Have fun creating!
Venice Bridge is an elegant and distinct serif font. It has a classy, elegant and modern look that can be used for logos, branding, invitations, stationery, wedding designs, social media posts, and much more!
What’s Included :
Thank you for your purchase!
That’s it !! Have fun using our font
Looking for a fun and bold font to captivate your audience, clients, or party guests? If you need to create invitations, have a t-shirt branding company, or need to create a new menu - then this is the perfect font for you.
Boldy Vintage-Bold Script Font
Boldy Vintage is a bold, fun, and modern font. Every hand-drawn stroke and curve will delight and add brightness, modernity, and fun to wherever it’s placed. This bubble font is the best to maximize the amount of street vibe and playfulness. Ideal to create amazing headings, logos, menus, and social media graphics.
Our font always includes Multilingual Support to make your branding reach a global audience.
Features:
Thank you for downloading premium fonts from Din Studio
Choosing fonts for design projects can be an endless task to do because there’s thousands of fonts out there all that you could use. Wait no more, we will give you the best choice.
Reverse Vintage-A Display Font
The Reverse Vintage aims to bring out a modern and stylish view. This font is made specifically designed to fit a variety of different content needs and projects. Everything’s well with cursive! The curvature of the Reverse Vintage was fully thought out to easily meld inside your designs. These fonts make a good foundation of what you want it to be. Show your opulence and decadence with this fancy font and blow your audience’s mind away as you put these cursive letters in your projects.
Reverse Vintage includes Multilingual Support to make your branding reach a global audience.
Features:
Thank you for downloading premium fonts from Din Studio
Imagine a font that is easier to read the smaller it is – or the further away the text is. There are already many rasterised fonts, I wanted to take it to the extreme and use as few dots as possible. The result is a typeface that lives up to its name.
Each individual circle makes no sense on its own; individual letters are only recognisable in the context of all associated circles, individual letters are most likely to be recognised in the context of whole words.
Attached to a building wall, text would be readable from a great distance and become increasingly difficult to decipher the closer you get to the building. Placed on the ground or on a large flat roof, text would only be readable from a higher building, an aeroplane or - depending on the size - in Google Earth.
Kontext has old style figures, superscript numerals, case-sensitive questiondown and exclamdown and an alternative ampersand, 390 glyphs at all.
Use the same value for font size and line spacing to keep the lines in the grid, or change the line spacing in 10% steps.
Change the spacing in 100-unit increments to keep the grid.
The numbers in the family- and style-names refer to the (ca.) grey value of the respective background and the font itself.
Kontext Dot 00-33 has e.g. a white background (0%) and 33% grey value. Kontext Dot 66-33 has a 66% background and 33% grey value.
»Positive« styles (first number smaller than the second number) have kerning, »negative« styles (first number bigger than the second number) can have none.
